Storage silos, Grapevine, Texas, 2008
Friday, February 20, 2015
Heartland - Grapevine, Texas
Grain mills and silos are ubiquitous within the Midwest landscape and have always been a photographic attraction for me. I happened upon this series of silos at just the right moment when the sun was highlighting a single cylinder.
Labels:
Americana,
film,
film capture,
gelatin silver process,
Texas
Friday, January 16, 2015
The Unique Print
There is an intimate pleasure in creating tactile art; a pleasure that is sorely missing from computer-based art. Art of the hand is much more satisfying to the psyche and allows for unique, one-of-a-kind artwork that, while filled with all of the foibles and artifacts and inaccuracies that occur with handmade art, give the art life, and perhaps, even a soul.
I am currently revisiting using instant film in my art, creating emulsion lifts and emulsion transfers, modifying old techniques for the modern emulsions that are coming out of Ilford and Fujifilm. They are quirky, inaccurate, and a bit frustrating at times due to working with cameras and lenses that are 30 to 70 years old, but, they are oh, so satisfying.
Calla Lilies, Anniversary model Speed Graphic camera, Polaroid 4x5 film, Arches watercolour paper
I am currently revisiting using instant film in my art, creating emulsion lifts and emulsion transfers, modifying old techniques for the modern emulsions that are coming out of Ilford and Fujifilm. They are quirky, inaccurate, and a bit frustrating at times due to working with cameras and lenses that are 30 to 70 years old, but, they are oh, so satisfying.
Calla Lilies, Anniversary model Speed Graphic camera, Polaroid 4x5 film, Arches watercolour paper
Thursday, January 1, 2015
Happy New Year 2015
I have a ritual of creating new images on the first day of each new year and this year has been no exception. A visit to the downtown and sponge docks area of Tarpon Springs is always fruitful as it seems that there is something interesting to photograph on each and every street corner and all the points in between.
I decided to experiment with my Polaroid Spectra camera using The Impossible Project Silver Shade film. This image was created with the original version of the film, so it's quite unpredictable and every image is a surprise. (Sometimes it's a surprise to simply get any image.) The film needs to be shielded from sunlight, so it's imperative to slip each image immediately into a light-tight container or, at the least, a coat pocket. I'm looking forward to trying the new formula which is supposed to be more stable.
I wish everyone a peaceful and creative New Year in 2015.
I decided to experiment with my Polaroid Spectra camera using The Impossible Project Silver Shade film. This image was created with the original version of the film, so it's quite unpredictable and every image is a surprise. (Sometimes it's a surprise to simply get any image.) The film needs to be shielded from sunlight, so it's imperative to slip each image immediately into a light-tight container or, at the least, a coat pocket. I'm looking forward to trying the new formula which is supposed to be more stable.
I wish everyone a peaceful and creative New Year in 2015.
Labels:
alternative processes,
film,
film capture,
fine art,
Florida,
Polaroid,
Tarpon Springs
Thursday, July 3, 2014
Anartia jatrophae
"Anartia jatrophae" is the title of a new print of mine that will be on display at the gallery opening on July 12, 2014, at the Morean Arts Center in downtown St. Petersburg, Florida.
Each one of the 16 individual carbon piezography prints on bamboo that combine to create the finished 24" x 32" (60.96 cm x 81.28 cm) piece of artwork is hand-pinned to the substrate, much in the manner of a captured butterfly in a collection.
The piece is also available in a finished size of 48" x 64" (121.92 cm x 162.56 cm).
I hope to see you at the exhibition opening.
Each one of the 16 individual carbon piezography prints on bamboo that combine to create the finished 24" x 32" (60.96 cm x 81.28 cm) piece of artwork is hand-pinned to the substrate, much in the manner of a captured butterfly in a collection.
The piece is also available in a finished size of 48" x 64" (121.92 cm x 162.56 cm).
I hope to see you at the exhibition opening.
Monday, April 14, 2014
St. Petersburg, Florida - The Pyramid Pier
The first City of St. Petersburg Pier was the Railroad Pier, built by the Orange Belt Railway back in 1889. The most elaborate was the Million Dollar Pier, with its Mediterranean revival architecture, which was completed in 1926. It was demolished in 1967, to make way for the current inverted Pyramid Pier, which was opened to the public in 1973. The Pyramid Pier was closed in 2013 due to structural deterioration.
It remains to be seen what style of architecture will replace the current pier. In the meantime, it still makes for a fetching photographic subject.
It remains to be seen what style of architecture will replace the current pier. In the meantime, it still makes for a fetching photographic subject.
Labels:
alternative processes,
film,
film capture,
Florida,
Holga,
St. Petersburg,
The Pier,
toy camera,
vanDyke Brown
Wednesday, January 1, 2014
New Years Day 2014
I love photographing at Howard Park in Tarpon Springs and it's been the inspiration for many of my Floridays images throughout the years. Continuing a tradition of creating new images on New Years Day, I went out to see a very strange sight as the Gulf of Mexico was at the lowest tide I had ever seen. It was quite surreal, like an other-wordly view, as I was able to walk out for several hundred yards on what was usually the bottom of the sea. A strange start to a whole new year.
Sunday, September 29, 2013
Beijing Rickshaw Driver
Although many of the quaint and culturally rich areas that I visited a few years ago have been torn down as they were replaced in an effort to 'modernize' for the 2008 Olympics, the Peoples Republic of China is still a fantastic country to photograph.
This portrait of the traditional rickshaw driver is one of my favorite images as it presents that cultural juxtaposition of the 'old' and the 'new' that I have often experienced throughout my visits to China.
Rickshaw driver, Peoples Republic of China, 2004
Labels:
35mm,
Beijing,
China,
film,
gelatin silver process,
Nikon,
Peoples Republic of China,
rickshaw,
taxi
Tuesday, August 13, 2013
Source - An Ongoing Series
A series, like any body of work, is created over a period of time, which, in the case of Source, has been a period of almost ten years.
In this era of instant gratification, it is sometimes difficult to understand the concept of a project that is years in the making and development. We tend to look for the immediate and we so often forget the simple, yet extreme, satisfaction that comes with savoring the time and creating photographs, instead of merely taking snapshots.
Working with silver gelatin film allows one to slow down and actually think about the process of photography, yet you can't get bogged down in the technical, for the concept of the final image has to be constantly in the forefront of creation. It's never a simple matter of taking a bunch of snapshots and hoping you can find something worthwhile by messing around with some plug-ins or actions in some editing program or app. You have to be able to plan from the very beginning; camera selection, film selection, metering and exposure methodology, development process, and finally, the print process.
It's so very exciting to see the pre-visualization of the scene come to life in the final print.
In this era of instant gratification, it is sometimes difficult to understand the concept of a project that is years in the making and development. We tend to look for the immediate and we so often forget the simple, yet extreme, satisfaction that comes with savoring the time and creating photographs, instead of merely taking snapshots.
Working with silver gelatin film allows one to slow down and actually think about the process of photography, yet you can't get bogged down in the technical, for the concept of the final image has to be constantly in the forefront of creation. It's never a simple matter of taking a bunch of snapshots and hoping you can find something worthwhile by messing around with some plug-ins or actions in some editing program or app. You have to be able to plan from the very beginning; camera selection, film selection, metering and exposure methodology, development process, and finally, the print process.
It's so very exciting to see the pre-visualization of the scene come to life in the final print.
Labels:
Atlantic Ocean,
film capture,
gelatin silver process,
Hasselblad,
Source
Friday, July 5, 2013
Heartland - Texas Hill Country
I spent a few months in Austin and wandered a bit through the Texas Hill Country. The terrain is quite a bit different from that of the areas I have called 'home' which have always been near large bodies of water; the Pacific, the Great Lakes, the Gulf of Mexico, and the Atlantic.
The waves in this image of the Hill Country were created by a sea of tall grasses and the horizon was cut by the branches of a lone tree instead of sails on a tall mast. For those who have wondered if I ever use a palette containing anything beyond monochrome.
The waves in this image of the Hill Country were created by a sea of tall grasses and the horizon was cut by the branches of a lone tree instead of sails on a tall mast. For those who have wondered if I ever use a palette containing anything beyond monochrome.
Labels:
film capture,
Heartland,
Hill Country,
Holga,
infrared,
Texas
Wednesday, May 1, 2013
Floridays + Mangroves
There is a beautiful symbiosis amongst the microbes, plants, and animals of the Florida shorelines within the communities of red mangroves. The numerous feeding and spawning fish and nesting water birds that live within the sprawling roots of the mangroves make for delightful viewing on any day along the shores.
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