Disruption of Design

Photography students are often told to search for patterns and repetition in creating images with good design, but sometimes, disruption of the patterns and/or the repetition can be just as interesting, as seen in this image of a fence that has fallen over on the lawn of a residence in the Oak Cliff area of Dallas, Texas.

I do wonder how the mailman works around the precarious position of the mailbox.

Texas Flood

I was perusing some images from a few years back while listening to some old vinyl LPs, when I came across this image which just seemed to fit the lyrics of "Texas Flood" by Stevie Ray Vaughn.

"Texas Flood"

Well, there's floodin' down in Texas,
All of the telephone lines are down.
Well, there's floodin' down in Texas,
All of the telephone lines are down.
And, I've been tryin' to call my baby,
Lord, and I can't get a single sound...

The Ubiquitous Quonset Hut

At one time, the quonset hut was a ubiquitous sight across America, used in a multitude of purposes from storage facilities, to living quarters, to recording studios (like the famous Columbia Records' Studio B in Nashville, TN), and many more applications.

Based upon the design of the Nissen hut which was developed by the British during World War I, the 'quonset' in the name comes from Quonset Point at the Davisville Naval Construction Battalion Center in Davisville, Rhode Island, their first manufacture site. The first quonset huts were developed in 1941 for the U.S. Navy, which needed a lightweight, all-purpose building that could be shipped anywhere and built by virtually any unskilled laborer.

This particular quonset hut is located in Rice, Texas, and was captured on film just as the sun illuminated its gleaming metal side.

Light and Time

"What makes photography a strange invention - with unforeseeable consequences - is that its primary raw materials are light and time" - John Berger

Photography is truly painting with light, and with the light ever changing by every single instant, a photographer, like a Boy Scout, needs always be prepared. Henri Cartier-Bresson speaks of the decisive moment, but that moment in time and that particular light cannot be recorded unless the photographer is prepared with camera at hand and with a keen eye for what is to come - to anticipate the scene that is about to unfold.

Very early morning street scene, Dallas, Texas, 2008.

Heartland - Grapevine, Texas

Grain mills and silos are ubiquitous within the Midwest landscape and have always been a photographic attraction for me. I happened upon this series of silos at just the right moment when the sun was highlighting a single cylinder.

Storage silos, Grapevine, Texas, 2008

Heartland - Texas Hill Country

I spent a few months in Austin and wandered a bit through the Texas Hill Country. The terrain is quite a bit different from that of the areas I have called 'home' which have always been near large bodies of water; the Pacific, the Great Lakes, the Gulf of Mexico, and the Atlantic.

The waves in this image of the Hill Country were created by a sea of tall grasses and the horizon was cut by the branches of a lone tree instead of sails on a tall mast. For those who have wondered if I ever use a palette containing anything beyond monochrome.

Peaches + Pecans - New Heartland Image

I'm rather partial to small towns, having grown up with cornfields bordering my backyard, and love to explore the backroads and byways.

This image of a peaches and pecans farmer's shed during the off-season was created close to sundown on a wintery day, as evidenced by the grey wisps of clouds in the sky.

'Impermanence' series now online with Saatchi

The images from my 'Impermanence' series, including 'Reclamation II' (pictured above) have now been uploaded via the Charles Saatchi online website. The series was executed during the time period 2007 through 2010, and is printed on gelatin silver, fibre-base, double weight, warmtone, semi-matte Ilford paper in an edition of seven, signed, titled, and dated on mount verso.

To view the 'Impermanence' images, please visit:

http://www.saatchionline.com/daviddurbak